This week on Friday Round Up a retrospective celebrates the work of French photographer Raymond Cauchetier, a picture of the workshop programme for this yr's Ballarat International Foto Biennale, and a function article on environmental photographer Darren Jew who suggests us the beauty of the underwater global. The article "Into the Deep Blue" is a timely reminder for the ones of us in Australia wherein there are actions afoot to mine in the region of the Great Barrier Reef, developing an environmental catastrophe for an ecosystem that is particular.
Retrospective:
Raymond Cauchetier
1967 Cambodia
This year?S Salon de la Photo in Paris in November will function a main retrospective of the work of French photographer Raymond Cauchetier. Born in 1920, Cauchetier spent his early career in Indochina, and can be taken into consideration one of the early road photographers. His work received important acclaim and within the Nineteen Fifties he exhibited in Japan and the USA wherein his series "Faces of Vietnam" have become a famous touring exhibition.
Returning to his hometown inside the past due Fifties Cauchetier spent the next decade immersed in the global of cinema working in an technology referred to as Nouvelle Vague. He shot for main directors along with Jean-Luc Goddard and became on the set of movies together with Breathless (the picture underneath of Jean Seberg and Jean Paul Belmondo is considered one of his maximum widely known). But his love for Asia continued to attract him back to that a part of the sector at some point of his career.
1954 Pierre Schoendorffer ? Dien Bien Phu
A unfastened spirit, Cauchetier changed into self taught and selected to shoot across a huge variety of subjects relying on his interest at the time. Now in his nineties, this retrospective "Raymond Cauchetier: Flashback" is a becoming tribute to this French grasp.
A BOUT DE SOUFFLE
Jean Seberg and Jean Paul Belmondo
On the Champs Elys?Es 1959
The Salon de los angeles Photo is one of the essential images occasions held in Paris inside the month of November.
7-Martinmas
Porte de Versailles in Paris
All pics (C) Raymond Cauchetier
Workshops:
Ballarat International Foto Biennale
At this year?S Ballarat International Foto Biennale (BIFB), an hour out of Melbourne, there may be a host of workshops in which to hone your visual storytelling competencies. Whether your interest lies in gritty documentary pictures, streetscapes, architecture, panorama or first-class artwork pictures there's something to trap both amateurs and extra superior photographers. Here's a flavor of what's in shop.
Ballarat Exposed
Andrew Chapman and Noel Butcher (Australia)
18 August
(C) Andrew Chapman
Travel Light, Learn to Write:
The secrets and techniques of current photojournalism inside the digital technology
Roger Garwood (Australia)
17-18 August and 24-25 August
(C) Roger Garwood
Archery and the Art of Photography
Christine Rose Divito (Belgium)
19-23 August and nine-13 September
(C) Christine Rose Divito
Architectural Photography Master Class with John Gollings (Australia)
7 September
(C) John Gollings
Finding the Ethereal Within
Master Class extensive with Elizabeth Opalenik [USA]
4-7 September
(C) Elizabeth Opalenik
For more information visit the BIFB internet site.
Feature Interview:
Into the Deep Blue
with Australian Darren Jew
On the day I interview multi-award prevailing photographer Darren Jew he is making ready for a six-week journey to Tonga in which he will image the migration of the humpback whales. He makes this pilgrimage each year, taking pix for his very own series, and additionally web hosting small agencies of fans who get to swim with these majestic creatures, a number of which, says Darren, are the size of a bus.
Growing up in Queensland Darren has spent tons of his existence inside the water, and with a digital camera in hand. His earliest recollections of pictures are round his father who was a radio technician on one of the Antarctic bases within the past due 1960s. Darren remembers going thru his father?S Kodachrome slides and being intrigued by way of ?Nature. I think that?S wherein my interest inside the international and things other than in my personal backyard, came from?.
In his youngsters he toyed with the idea of a profession in technology, but ?Scientists tend to focus on one element and I idea I could be bored, so I grew to become my attention to images. I become partly motivated via Jacques Cousteau documentaries and figured that with pictures I could nonetheless connect with nature and science on a cursory degree and with greater variety?.
He undertook a two-12 months trade certificates in images at Queensland College of Art and ?Graduated on the ripe age of 17 with a pretty properly education in images. I was fairly employable (read: cheap) and my first job changed into in a movie-processing lab?. It could take a few greater years earlier than he landed the dream activity ? Operating for the Queensland National Parks and Wildlife Service photographing the natural belongings of that nation.
?Luckily Queensland has a few pretty cool underwater surroundings with the Barrier Reef,? He laughs. ?That turned into the first time I turned into sincerely shooting underwater for work. If I went on a subject experience and it blanketed a place wherein I could go snorkeling or diving, I?D do that too.? After eight years of documenting the kingdom, and honing his abilties as an underwater photographer, Darren went out on his own inside the mid-Nineteen Nineties.
?In the remaining decade I were doing a variety of underwater work. My career has advanced from me being a nature photographer who took pix of anything to do with nature, to an underwater photographer who additionally shoots nature. I shoot a percentage of tourism and advertising paintings also, but that is greater a made of potential in place of interest and desire, it?S part of the manner I earn a residing. As a photographer in recent times to do moderately nicely you have to be a specialist. And specialising in underwater images has come to be a gap for me because it gives me a chunk of range in terms of in which my clients can come from?.
Darren says it's far a tough market, even for someone who is hooked up, and the imperative to live at the pinnacle of your recreation is even more given the range of individuals who are taking images these days in all genres.
?There are hundreds of thousands of common photographers obtainable. Prior to the virtual growth there has been a group of the expert photographers that were given away by simply being capable photographers due to the fact they had the technical capability or an excellent paintings ethic and pics had been not being taken in the extent they're these days. Really top photographers have continually floated to the pinnacle, however now you need to be at the pinnacle of your game all of the time, due to the fact the minute you drop the ball you're long past?.
"Photography is constantly evolving and I?Ve been lucky sufficient to see a actually exciting time with the advent of digital. Now digital cameras are producing photos that are manner beyond what we could ever do on movie, and that has offered new and exciting opportunities. I shoot images now underwater in very low light conditions with brilliant consequences, shots that I should by no means have contemplated even five years in the past?.
Shooting underwater incorporates with it an entire raft of considerations that are particular to the watery environment. Outside of the gear you have to spend money on, there are different barriers consisting of seeking to image animals which can fancy taking a chunk out of you, like Great White sharks.
While Darren may additionally love nature, he isn?T foolhardy. ?I?Ve in no way done any of this loopy unfastened swimming with Great Whites,? Says Darren who shoots from a shark cage. ?Certainly all the paintings I?Ve done with Great Whites is probably the most exciting, adrenalin charged nature pictures I have achieved. They are actually huge and very efficient and frightening?. He indicates me a photo of a toothy grin from a Great White. ?This one bit my sync cable in half and left a large scratch on my dome port. I?Ve had sharks seize the cage earlier than and shake it and I?Ve had a shark chunk thru the communication line on a deep dive?.
A deep cage dive is around 25-30m, however Darren also does cage work at the surface, and mid-water. ?The time while the conversation cable were given severed and we lost contact with the surface, that?S probable the most thrilling time that I?Ve been in a cage. There are emergency tactics to get a lift bag to get you lower back to the floor, however to install that you need to get out of the cage, and if you have a cranky Great White shark swimming around who has simply bitten thru the cable and shaken the hell out of the cage, getting out of the cage is the closing option. On this dive routines and processes for lack of communique were observed nicely and the whole lot was first-rate, however it is quite thrilling some of the things that go through your mind at that point,? He laughs.
?I do lots of stuff mid-water wherein we drop the cage and get into the blueness and far from the floor and from what I see as the visually complicated bottom. But taking pictures mid-water is a ready recreation, as often it seems the sharks are on the bottom or at the surface and to get them in mid-water you need to be patient.?
Patience is a ought to with the paintings that Darren does. Not simplest do the animals now not perform on cue, there are other considerations including attending to the region and the climate. ?I have been on journeys where we?Ve been out for 4 days and haven?T seen a shark till 3pm at the ultimate afternoon. Other instances the water will be too murky to shoot in or we?Ll arrive within the center of a jellyfish-spawning event. It is opportunistic work wherein you're on the mercy of nature. So once I am out shooting for a client, I additionally shoot for my very own collections to make the maximum of the time and rate of having there?.
He continues. ?If we are taking pictures blue water animals like whales, or dolphins or turtles swimming around in various places inside the water column, down deep or up close to the surface or something, it?S quite tough to do that on scuba. With scuba diving the suitable profile is to move all the way down to the private factor of your dive and then paintings your manner lower back up to the floor over the path of the dive. Whereas a turtle is probably at the surface now after which move deep and then go to the floor once more. If you have been to comply with that animal with scuba tools you?D be risking your fitness and safety pretty substantially. And with scuba you're limited to handiest two or three dives an afternoon. So the blue water pictures are often executed on breath preserve. All my whale work and the turtles, dolphins and sea lions, are all shot even as conserving my breath?. It?S a game of self-discipline and often Darren?S dedication to get the shot impacts how long he can preserve his breath.
But it's miles the complexities of the underwater shoot that keep him engaged. ?It?S a tough vicinity to take photographs due to the fact to look these items underneath the water you need to be fairly near them. Even in the clearest waters within the tropics you need to be within some metres. That?S the factor I like most approximately it, it continues your brain active, you need to reflect onconsideration on lots of factors. It?S a venture and I like a assignment?.
Darren hopes his pictures can even help to spread a message for conservation, a subject this is close to his heart. ?I want to talk to people who don?T recognise approximately the sea. I need them to see how extraordinary it is. I understand that?S a wide brush declaration, however for some humans the sea is a frightening area. I?D like to assume that they can have a look at my pics and even if they're not an ocean fan, they are able to see some intrigue, and interest and wonder at a number of the first rate things that live there,? He concludes.
Article by means of Alison Stieven-Taylor
All snap shots (C) Darren Jew
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