Showing posts with label Angkor. Show all posts
Showing posts with label Angkor. Show all posts

Monday, July 20, 2020

Photography art Gallery Friday Round Up - 21st November, 2014|Photography Art Definition

This week on Friday Round Up exhibitions in Melbourne and Sydney, FotoEvidence Book Award, Crying Meri launches in Papua New Guinea, Angkor Photo Festival Celebrates Ten Years and the first Asia Pacific Photobook competition is open.

Exhibition: Sydney

Group Show – CLICK!

Andre Kertész, Hungarian (1894 –1985)

Title: untitled (child with dog), 1969

CLICK! An Exhibition of Australian and International Photography is the last show for the year at the relatively new Badger & Fox Gallery in Sydney’s Surry Hills. The Gallery is the brainchild of two passionate collectors, ex-Londoners Peter Maddison and Peter Wright, who claim that “previously the only place you could have seen a photographic exhibition like this would have been at the National Gallery, AGNSW, or the National Gallery of Victoria. It’s a cracker of a show”.

And they're right. The show features works from Australians such as Max Dupain, Bill Henson and David Moore, as well as European photographers including Henri Cartier-Bresson, Robert Doisneau and Andre Kertész. The Americans get a look in too, with works by Garry Winogrand, Irving Penn and also Danny Lyon to name a few. It’s an impressive line up and all works are for sale. CLICK! draws on a total pool of 180 works, with a roster of 40 photographs on display at any one time.

“We both love art and have been collectors for many years, we now want to share our collection,” says Wright. “Initially Badger & Fox Gallery was just going to be a web gallery where clients could look at the works available, make a choice then we could hang the piece for them to see it in reality. During the construction of the site we decided that a real gallery with regular exhibitions could be fun to do.”

He continues. “In our discussions over the years we often talked about the Australian gallery market being very different to the European market where there are galleries that exhibit a mixture of work - the little galleries on Bond Street in London for instance - not just galleries with a stable of artists with rotating shows. Badger & Fox Gallery is our take on this concept, an eclectic mix spanning many genres”.

Collecting photography is still somewhat of a novel pursuit in this country. Perhaps Badger & Fox will help to swing the pendulum by educating collectors as to the artistic worth and collectability of photography. And that can only be good for the genre.

Aaron Siskind, American (1903-1991) - Title: Kentucky 7, 1951

Bill Henson, Australian (1955-) Untitled

Photographer unknown, Japanese – Title: X4 Yokohama Park, Japan, 1870

Until 21 December

Badger & Fox Gallery

201 Albion Street

Surry Hills

Exhibition: Melbourne

Pia Johnson – In a Dim Light

Pia Johnson's latest show - In a Dim Light - at Melbourne's Edmund Pearce Gallery, centres on the experience of being in a foreign place, of feeling lost, displaced, and fragmented.

This series builds on Johnson's earlier works and deals with similar themes of cultural difference, diaspora and identity, explorations that stem from her own cultural heritage of Chinese Malaysian and Italian Australia descent.

(C) All images Pia Johnson

Closes this Saturday 22 November

Edmund Pearce

Level 2 Nicholas Building

37 Swanston Street

Melbourne

Call for Entries:

FotoEvidence Book Award 2015

Entries are now open for the fifth annual FotoEvidence Book Award.

This year's FotoEvidence Book Award Jury features a stellar line up - founder of Cosmos Agency Annie Boulat, Polka Magazine's editor-in-chief Dimitri Beck, Mother Jones' photo editor Mark Murmann, Telegraph Magazine's photography director Cheryl Newman and FotoEvidence managing editor and co-founder David Stuart.

I’ve reviewed three out of the four winning books - Majid Saeedi’s Life in War (2014), Robin Hammond’s Condemned (2013) and Alex Masi’s Bhopal Second Disaster (2012). FotoEvidence’s commitment to bringing these stories to a broader audience, and the passion and commitment of the photojournalists to pursue stories that often are overlooked by mainstream media, continue to fuel my passion to work in this space.

Deadline: 15 January 2015

Click here for entry details - FotoEvidence

Winner 2014 FotoEvidence Book Award - Majid Saeedi

Update:

Photojournalism Can Affect Change

Vlad Sokhin – Crying Meri

On Monday 24 November Vlad Sokhin’s book, Crying Meri, which is published by FotoEvidence, will be launched in Papua New Guinea (PNG) at Parliament House with the Prime Minister, Peter O’Neil, in attendance.

Crying Meri draws focus on the women of PNG, known as “meri” in the local dialect, who are beset by domestic violence and sexual assault at rates that are inconceivable; more than two thirds of women suffer horrific abuse at the hands of their men and many are left disfigured after being attacked with knives and axes. Fifty percent of women in PNG have been sexually assaulted, although this figures climbs alarmingly in the more remote provinces where in some areas 100 percent of women surveyed have been violated. Sorcery-related violence still exists and rape is endemic, a right of passage for the Raskol gangs that prowl the streets of the capital, Port Moresby.

The release of this book in PNG is significant. Sokhin’s work has influenced change and raised awareness, something all photojournalists hope their images will achieve. His photographs have been carried through the street in protests against domestic violence, and the Government has taken notice. In 2013 the PNG Government abolished the Sorcery Act that protected those accused of sorcery-related violence, including murder, and also instituted the first Bill to criminalise domestic violence. These are steps in the right direction, and while there is a long way to go before these reforms resonate at a deep cultural level, Sokhin has helped to bring the issue above ground.

“I hope my photographs did something to help,” Sokhin says to the notion his images contributed to broader change. “But what is more important for me is to see an individual helped and I know of a few women whose lives changed because someone saw my photographs and assisted them. That’s an achievement and I’m very proud to see that happen.”

Crying Meri

Available through FotoEvidence

Festival:

Angkor Celebrating Ten Years

(C) Marie Sordat

(C) Marie Sordat

On 29 November, the tenth edition of the Angkor Photo Festival & Workshops opens in Siem Reap, Cambodia. This is the longest running photography festival in Southeast Asia and its original ethos, to provide a platform and educational resource for both emerging and established photographers, continues with another comprehensive programme.

In 2014 there are 11 core festival exhibitions featuring works from photographers from Cambodia, Laos, China, Hong Kong, Jordan, Iceland, Spain, France and Australia. And the projections programme, which features the greatest number of photographers, throws the geographic net even wider, with works from virtually every continent.

(C) Viviane Dalles

(C) Alessandro Grassani

(C) Alessandro Grassani

(C) Alexander Mihalkovich

(C) Alexander Mihalkovich

(C) Boryana Katsarova

(C) Boryana Katsarova

But it is the educational strength of Angkor that sets it apart as Programme Director Françoise Callier explains. "As more festivals emerge in the region, our emphasis on education has become an increasingly critical part of what we do. Our annual tuition-free workshops provide Asia's emerging talent with premier professional training, addressing the region's lack of affordable and accessible options for emerging photographers to take their craft to the next level”.

These workshops run for a week and the tutors for 2014 are Antoine D'Agata, Ian Teh, Kosuke Okahara, Patrick de Noirmont, Sohrab Hura and Suthep Kritsanavarin. It's quite a line up and the 30 participants from 14 countries in Asia are in for an intense, and thrilling, week.

The panel discussions should also prove lively with topics including the evolving role of photo festivals, and Asia Perspectives: Startups, social media and photography.

(C) Eduardo Garcia

(C) Fan Ho

(C) Fan Ho

(C) Floriane de Lassee

(C) Floriane de Lassee

(C) Zalmai

(C) Stephen Shames

(C) Patrick Brown

To find out more about this year's Angkor Photo Festival visit the website here.

29 November - 6 December

Siem Reap

Photobook Prize - Call for Entries:

The Asia Pacific Photobook Archive, in conjunction with Perimeter Editions and Grenadier Press, has launched the inaugural Asia Pacific Photobook Prize. See website for details. Entries Close 1st December.



































Saturday, July 4, 2020

Photography art Gallery Friday Round Up - 27 November, 2015|Photography Art Definition

On Friday Round Up Rock Against Racism, Berenice Abbott and Angkor Photo Festival. This week’s post comes from my sick bed. Not only did I come home from Europe with a host of photography books. I also picked up a rotten respiratory infection so am writing from the comfort of my bed at some ridiculous hour of the morning as sleep eludes me. Am trusting my brain is still functioning!

Next week begins December's annual Book Reviews in the lead to Christmas. Books make great gifts,  and I'm excited to feature a number of wonderful titles. But to this week's post…enjoy.

Exhibition: London

Syd Shelton - Rock Against Racism

Rock Against Racism Supporters

One of the exhibitions I caught in London was Syd Shelton's Rock Against Racism. Fantastic black and white images that show Shelton's street photography roots and capture the electrified movement that saw punk rock and reggae bands come together to fight racism and celebrate diversity in the late seventies. The message here is no different to today. Intolerance has no place in our societies.

Rock Against Racism was formed in 1976 by a group of writers, musicians and artists to counter the then rising support for the National Front. Shelton was one of the early members and became the movement's de facto photographer. The movement put on concerts and also participated in protests. The most renown being 1977's Battle of Lewisham where 125 National Front marchers staged an 'anti-mugging' march only to come up against around 10,000 Rock Against Racism supporters.

“At the time, if you were young, black, and male in particular, then you were really caricatured as a mugger," says Shelton. "It was a little bit like the nonsensical thing that sees all Muslim people as Jihadists. It’s the same sort of caricature and it was really horrific.”

Bagga, vocalist with Matumbi

Anti-racist Skinheads, Hoxton, London 1978

Rock Against Racism Concert 1978

Mick Jones and Paul Simonon, The Clash

Rock Against Racism Concert 1978

By 1978 tens of thousands participated in Rock Against Racism marches and bands such as The Clash and Tom Robinson Band were headlining Rock Against Racism concerts as the new wave of punk rock took hold.

The movement lasted for about five years and Shelton says he believes they were successful in changing attitudes. "That's what we wanted to do. We felt as though we could change things and I think we did".

Rock Against Racism is also a book and you can buy it here.

Until 5 December

Rivington Place

London

EC2A 3BA

Berenice Abbott

Berenice Abbott Self-Portrait

Another exhibition I saw in London at Beetles+Huxley in Mayfair, which finished this week, was a collection of works by Berenice Abbott (1898-1991). I really loved this show too.

Abbott was a pioneer and her journey is an inspiration - photographer, businesswoman, inventor of photographic equipment, teacher and artist - are just a few of the labels she earned. Her story is one of determination and open-mindedness. A free spirit with a brilliant mind. At the age of 19 she dropped out of journalism school at Ohio State University, as she didn't agree with the politics of academia, and moved to New York with nothing more than what she could carry. There she worked odd jobs and lived with friends in Greenwich Village. Surrounded by artists she began to explore her creative side.

In the early 1920s her love of sculpture drew her to Paris where she was introduced to photography as Man Ray's darkroom assistant. The pair had met earlier in New York. She needed a job and he wanted someone who wasn't a photographer. It was an ideal arrangement.

Abbott is quoted as saying "Man Ray did not teach me photographic techniques. One day he did, however, suggest that I ought to take some (photographs) myself; he showed me how the camera worked and I soon began taking some on my lunch break. I would ask friends to come by and I’d take pictures of them. The first I took came out well, which surprised me. I had no idea of becoming a photographer, but the pictures kept coming out and most of them were good. Some were very good and I decided perhaps I could charge something for my work".

At work

Portrait Eugene Atget

Portrait Jean Cocteau

Portrait Jessie Cateicher

Portrait Unknown

By 1926 Abbott was exhibiting and had a thriving photographic studio of her own. She didn't look back and never worked for anyone again. She spent almost a decade in Paris where she cemented her reputation as a leading portrait photographer. One of her most personal portraits was of French photographer Eugene Atget whose work Abbott greatly admired. She is credited with championing the work of Atget whose archive Abbott secured after his death.

Three years later Abbott moved back to New York, but it was the beginning of the Great Depression and work was hard to procure even for someone with her reputation. She multi-tasked shooting portraits, editorial work, teaching and applying for grants (sound familiar?).

Her long career is defined by her portraits and her decade-long documentation of New York City, as well as road trips and the work she did in the field of science in the forties in a bid to bring the wonders of science to the masses. Below are two of my favourite Berenice Abbott science photographs.

Last week in London I had the opportunity to see some of these works on show at Beetles + Huxley Gallery in the final days of the exhibition. I also bought the catalogue, an elegant production that allows me to revisit the images at my leisure. The catalogues produced by many of the galleries in Europe are just exquisite and I could easily fill my bookshelves (if I had any empty shelves to fill that is!). At least the catalogues are small enough to bring home in an already laden suitcase.

Festival: Cambodia

Angkor Photo Festival and Workshops

Next Friday the 11th Edition of Angkor Photo opens in Siem Reap, Cambodia with an extensive line up of exhibitions, projections and workshops. To find out more visit the site here, but for a taste…

Vlad Sokhin - Kiribati

Cosmos/Panos

James Whitlow Delano - Scorched Earth: China’s Wounded Environment

Gabi Ben Avraham

Palani Mohan - Hunting with Eagles

Sergine Laloux - At the Heart of Tibetan Buddhism

5-12 December

Siem Reap, Cambodia