Showing posts with label POYi. Show all posts
Showing posts with label POYi. Show all posts

Friday, July 17, 2020

Photography art Gallery Friday Round Up - 27th February, 2015|Photography Art Definition

This week on Friday Round Up new exhibitions in Melbourne and Sydney, a big shout out to Daniel Berehulak and his win in POYi Awards and Alexia Foundation announces its 2015 grant winners. Also 2015 Head On Photo Festival extends the closing date for award entries until 8 March.

Exhibitions:

Melbourne

Peter Milne -Juvenilia

Boys Next Door first photo session after Rowland joined, Nick’s bedroom, Caulfield, c1978

For those who lived it and for those who wished they had, Peter Milne’s Juvenilia celebrates many of the artists who were part of the vibrant, zany and ridiculously creative alternative music scene in Melbourne from the late 1970s to the mid-1980s.

“Warm, intimate, surprising and already displaying the great compositional skills, originality and humour for which Milne is known, these images offer an unprecedented peep… at a milieu of people who went on to play pivotal roles in Melbourne’s burgeoning cultural scene,” says co-curator Linsey Gosper of Strange Neighbour Gallery.

Anita Lane

Rowland S Howard and Genevieve McGuckin, St Kilda rooftop, 1977

Polly Borland

Rowland S Howard

Milne’s black and white images portray the intimacy that only comes with the trust of friendship. Photographs in this exhibition include early shots of Nick Cave’s band Boys Next Door, hanging out in Cave’s bedroom at his parents house. There are also a number of images of the late Rowland S. Howard, along with Mick Harvey, Polly Borland, Tony Clark, Anita Lane and Blixa Bargeld amongst others.

27 February to March 28

Q&A with journalist Michael Dwyer and Peter Milne

Thursday 5 March, 5.30 - 8pm.

Strange Neighbour

395 Gore Street

Fitzroy

(C) All photos Peter Milne

Michael Williams - Chromophobia

“Since the early 1980s I have been fixated with the dynamic and often intrusive presence of colour within public and personal environments,” says Australian photographer Michael Williams who uses flash to “isolate elements, accentuate colour and forge a direct momentary relationship with my subjects”.

Colour Factory Gallery

March 5-28

409-429 Gore St

Fitzroy

(C) All images Michael Williams

Sydney

Bookmarked - Stills Gallery

Diedre Brollo

Celebrating the photobook in all its forms, Bookmarked features everything from hand made books to slick, offset publications from a diverse group of artists including Diedre Brollo / Danny Digby / Stephen Dupont / Anne Ferran / Chris Fortescue / Nicholas Jones / Sarah McConnell / Trent Parke / Louis Porter / Madeleine Preston / Kurt Schranzer/ Teo Treloar as well as a selection of books from the Asia-Pacific Photobook Archive.

Danny Digby

Nicholas Jones

Trent Parke

Exhibition: 4-28 March

Stills Photobook Fair - Saturday 7 March, 11am to 5pm

Artist Talk with Stephen Dupont Saturday 7 March, 3pm

Stills Gallery

36 Gosbell Street

Paddington

Congratulations:

Daniel Berehulak wins Photographer of the Year, again!

Daniel Berehulak/ Getty Images Reportage

This week the POYi Awards were announced and Australian freelance photojournalist Daniel Berehulak took out top honours (again) this time for the amazing work he did on the Ebola outbreak. Daniel is one of the most inspiring, hard working and compassionate photographers I know. Absolutely thrilled that he has been recognised for this important body of work. I'm interviewing Daniel about his POYi win, so look out for my story in the coming weeks.

Alexia Foundation

2015 Grant Recipients Announced

Paolo Marchetti - The Price of Vanity - Professional Grant

Italy, Milan in September 2014, caiman skins exposed during the most important showroom in the world, called "LINEAPELLE." Thousands of workers are coming to this event from all over the world. Paolo Marchetti

Poland, Village of "Biala Wies" close to Grodzisk Wlkp. Here inside the company “Nutrex” one of the most important intensive breeding of minks in all Poland. Here the conveyor belt where the mink are transported from one building to another. In the background the bodies without mantles are stacked in a large container, after being processed. Paolo Marchett

Italian freelance photojournalist Paolo Marchetti is this year’s recipient of the 2015 Professional Grant from the Alexia Foundation. He will receive $20,000 to pursue his long-term project, The Price of Vanity, an exploration into the brutal world of intensive breeding farms that are used to produce skins and furs for the high-end fashion industry. Paolo, who is incredibly passionate about this project, was stunned with the news of his success. “This is terrific news for me, this is incredible. I am so grateful to the judges,” he said.

This is powerful and important visual storytelling. Next time you are looking to buy an animal skin or fur garment, remember the brutal methods in which these skins are obtained and the horrible ending to these animals' lives. Is it worth it?

Colombia, Puerto Giraldo, two hours from Barranquilla.The puppies are moved to larger tanks and with different characteristics, depending on the size and health emergencies caimans. Here in the photo, some caimans of about 70 cm. inside a tank where it is regularly paid an antibiotic estimate (the blue liquid), to ensure the occurrence of serious infections. Paolo Marchetti

Colombia, Puerto Giraldo, two hours from Barranquilla.Thousands of caiman skins stretched out in the open after the first cleaning process and salting on the farm.The skins of breeding "Repticosta" are intended to Eastern Market, the skins will be exhibited here in Singapore within 20 days. Paolo Marchetti

Michael Santiago - Stolen Land, Stolen Future - Student Grant

The recipient of the 2015 Student Grant is Michael Santiago for his project Stolen Land, Stolen Future. The grant will further his documentation of the lives of African-American farmers who have fought to acquire and maintain land across the USA, despite facing extreme difficulties. Michael will receive full tuition to study at the Syracuse University London Program amongst other prizes.

Farmer James McGill’s Duroc and Bluebutt show pigs need to have daily exercise to keep their physique looking strong so they will please the judges at the annual Kern County Fair. Michael Santiago




















Sunday, May 31, 2020

Photography art Gallery Friday Round Up - 4th March, 2016|Photography Art Definition

This week on Friday Round Up - POYi Awards, exhibitions in Melbourne, Brisbane and New York, an article on Why We Need Professional Photojournalists through Alison Stieven-Taylor and any other article at the need for diversity in visible storytelling by Anastasia Taylor-Lind.

Awards:

POYi 2015

This week features snap shots from the winners of 3 classes - Photographer of the Year Reportage, Feature Picture Story and World Understanding Award.

Photographer of the Year - Reportage

Paolo Marchetti for The Price of Vanity

This story became featured on Photojournalism Now in February last yr whilst Italian photographer Paolo Marchetti was named Professional Winner 2015 inside the Alexia Foundation Awards for this excellent frame of labor that exposes the reality of breeding animals for the style industry.

Feature Picture Story

Newsha Tavakolian

Freelance and Magnum nominee for Iran Coming Out of the Shadows

World Understanding Award

Hossein Fatemi

Freelance for An Iranian Journey

View the total winners listing at POYi.

Exhibitions: Melbourne

NO LILIES

Is the 6th annual exhibition by women photographers for International Women’s Day and a fundraiser for UN WOMEN.

Artists featured: Wendy Currie, Judith Crispin, Maggie Diaz, Pam Davison, Joyce Evans, Jill Frawley, Amy Feldtmann, Carole Hampshire, Susan Henderson, Sue Jackson, Cheryl Lucy, Helga Leunig, Ilana Rose, Carmel Riordan and Margot Sharman.

(C) Judith Crispin

(C) Cheryl Lucy

(C) Pam Davison

Until 2 April

Magnet Galleries

2/640 Bourke Street

Melbourne

Exhibitions: Brisbane

In Situ: New photodocumentary paintings

This new exhibition at Brisbane?S Maud Gallery functions the paintings of graduates from the Queensland College of Art Documentary movement. Curator Doug Spowart says, ?The documentary photographs in this exhibition are made by means of photographers working not as the informal iPhone snapshot ?Photographer? Of nowadays, but instead folks that embed themselves in human and natural environments to witness, to empathise and to report with a digital camera so a tale can be shared. The documentary photographers on this exhibition present their work as proof of what they have visible, felt and been touched by. This work represents new photodocumentary practice and will vicinity viewers in situ ? Surrounded by problems of current existence?.

(C) Elise Searson

(C) Marc Pricop

(C)Thomas Oliver

(C) David Mines

(C) Cale Searston

(C) Richard Fraser

The contributing photographers are: Chris Bowes, Richard Fraser, Gillian Jones, Louis Lim, David Mines, Thomas Oliver, Marc Pricop, Elise Searson and Cale Searston.

9-20 March

Maud Gallery

6 Maud Street

Newstead (Brisbane)

Exhibitions: New York

Meryl Meisler

Currently displaying at Steven Kasher Gallery in New York is an exhibition providing early paintings by way of Meryl Meisler who's taken into consideration one of the notable visible diarists of Americana. This display spans pics from the 1970s from the ?Kitsch-crammed? Rooms of her hometown of Long Island and images of her circle of relatives to New York?S disco-generation. This idiosyncratic series capabilities photos taken in suburban settings as well as extra notorious New York clubs which includes CBGB, Studio fifty four and The Magic Carpet.

Man in a 3 Piece Suit Dancing Within the Circle at a Wedding

Rockville Centre, NY, March 1976

(C) Meryl Meisler, Courtesy Steven Kasher Gallery

Mom( Sylvia ""Sunny"" Schulman Meisler)

Reading A Scholarly View of the Jewish Mother,

Thanksgiving, North Massapequa, NY, November 1978

(C) Meryl Meisler, Courtesy Steven Kasher Gallery

The Meisler, Forkash & Cash Clan Welcoming a

Sweet New Year, North Massapequa, NY,

Rosh Hashanah , September 1974

(C) Meryl Meisler, Courtesy Steven Kasher Gallery

Butterfly Bedroom Telephone, East Meadow, NY , June 1975

(C) Meryl Meisler, Courtesy Steven Kasher Gallery

My 2nd cousins Milton and Betty Schwartz's grandson

Todd jumping off their couch in the den, Florida, 1978

(C) Meryl Meisler, Courtesy Steven Kasher Gallery

Mom Getting her hair Teased at Besame Beauty Salon,

North Massapequa, NY June 1979, 1979

(C) Meryl Meisler, Courtesy Steven Kasher Gallery

Kissing in Black Leather Jackets During last

Dead Boys Concert CBGB, New York, NY April 1977

(C) Meryl Meisler, Courtesy Steven Kasher Gallery

Until 9th April

Steven Kasher Gallery

515 West 26th Street

New York

Articles:

Why We Need Professional Photojournalists

© Robin Hammond/Witness Change

One of the tenets of photojournalism is to give voice to those who are unable to speak for themselves, but what does this mean for our digital world where the photograph has never been more potent or more accessible? Are photojournalists still needed to tell stories when everyone supposedly has a camera-enabled smart phone and can tell their own stories?

The truth is that more than 2 billion people are still disadvantaged when it comes to digital communications and many of these people are those whose stories need to be told. The notion that everyone has a smart phone is a privileged thought and the digital divide that exists across the globe is widening despite advances in technology…(you read the full story published on L'Oeil de la Photographie here)

Why Photojournalism Needs Diverse Storytelling Approaches

© Daniel Ochoa de Olza

Photojournalist and artist Anastasia Taylor-Lind has written an article on why photojournalism needs diversity in storytelling. This article discusses the issue through 'Victims of Paris', a photo project by Daniel Ochoa de Olza that was awarded third prize in the World Press Photo People Story category only to be withdrawn by the Associated Press.Read the TIME article here.

Her article feeds into the growing debate on defining photojournalism in the new media environment. It's an exciting time. Approaches like that of Daniel Ochoa de Olza and this year's FotoEvidence Book Award winner Daniella Zalcman's Signs of Your Identity are fine examples of how important stories can be told in creative, engaging ways without losing their integrity or message.

© Daniella Zalcman

See last week's post for more images from Daniella's project.