Showing posts with label Afghanistan. Show all posts
Showing posts with label Afghanistan. Show all posts

Tuesday, May 26, 2020

Photography art Gallery Friday Round Up - 27th May, 2016|Photography Art Definition

Exclusive to Photojournalism Now:

This week mythical photojournalist Tim Page returns to Photojournalism Now with "Afghanistan from the Air" a series of unpublished photos followed with the aid of a story written by using Tim about his time in that usa.

In distinct monthly installations, Tim will exhibit pictures from his significant archive and share his studies with Photojournalism Now's readers.

This is a fantastic opportunity for Tim to publish paintings that is past the scope of struggle photojournalism, the style wherein he made his call.

I'm overjoyed in order to function those photographs and enthusiastic about the installations to come.

Tim's archive is terrific.

Just wait and see!

Alison Stieven-Taylor

May 2016

Special Feature:

AFGHANISTAN FROM THE AIR

Words and Pictures: Tim Page

Afghanistan is a brutal vicinity, the panorama as rugged because the folk that stay on a land that is only 12% arable.

It is the collision and collusion of east and west and its mountains, the Hindu Kush upward thrust up throughout its entirety.

In between are sparse bits of inexperienced clinging to riversides in gorges or dusty plains.

Now after which a large lush valley seems among levels in which warfare has ravaged lots of the countryside during the last forty years.

This magical land is difficult to peer from its beauteous thing, you are obliged to see devastation and dislocation, the results of a chain of big wars that have reached this frontier twixt east and west.

Where Alexander and Buddhism coursed the equal valleys.

Diverse is a desultory word.

After multiple months at the UN project in Kabul teaching 6 young Afghan photographers, I had were given to understand the assignment brass who invited me along on their weekly inspection trips to far flung locations out of reach on dodgy roads.

District and provincial capitals that few people visited a great deal less have been capable of photo.

The Chief of Mission had his own MI 18 on permanent stand via.

Both crew and chopper had been vintage the Soviet war of the eighty?S, both having the vibe of being fuelled on vodka.

At least they knew this desolate land.

You had to presume the antique patched white painted former war fowl turned into airworthy.

Luckily, there commonly were no greater than 10 people, so lots of room for gas.

Even so we stopped off to top up in Bamiyan, Kandahar and points in between.

How this 40-yr-old lump of obsolete era turned into able to claw its manner as much as 5,000 metres I do no longer know.

We crossed mountain saddles at 4k, below a panorama similar to the moon.

Landing out or auto-rotating would have been fatal.

Neither crew or UN employees regarded to give it a second idea.

After a bit I got locked into the door seat with the exceptional piece of plexiglass inside the chicken.

Every vista can be composed into a body, past the abstract, a dreamscape of shade and geomorphology.

Impossible pastiches fluttered into view and receded.

Mountains so vintage and complete of assets, they appeared as though they have been rusting.

The horizon changed into jagged, a number of it snow capped; the better we climbed you may see to Kyrgyzstan, almost Pakistan.

Ethereal and beyond captivating.

I couldn?T wait for destiny expeditions to shoot thru the winter and the spring.

Then the Taliban assaulted a U.N. Guesthouse killing 8 humans (5 UN personnel participants, 2 Afghan protection personnel, 1 Afghan civilian - 3 attackers also died) and thereby curtailing all the texture desirable in-us of a missions, such as the mentoring programmes.

My gig became up.

I will bear in mind the splendor of this exceptional region thru those images.

The humans are a separate homage - another essay.

Thursday, May 21, 2020

Photography art Gallery Friday Round Up - 2nd September, 2016|Photography Art Definition

This week on Photojournalism Now: Friday Round Up part two of the Visa pour l'Image special with work from Peter Bauza, David Guttenfelder, Andrew Quilty, winner of the Ville de Perpignan Rémi Ochlik Award - 2016 Niels Ackermann and Winner of the Humanitarian Visa d?Or award ? International Committee of the Red Cross (ICRC) 2016 Juan Arredondo. Also the winners of the Getty Grants and some cool book signings happening Friday afternoon, so get down to La Poudrière: Rue Rabelais if you're in Perpignan.

Special Feature:

Visa Pour L'Image - Part Two

Exhibitions

Peter Bauza

Echo Photojournalism

Maria Eduarda (12) lives in one of the five unfinished buildings of what should have been a middle-class condominium. The site where 300 families have found shelter is near Rio de Janeiro, but far from the public gaze. © Peter Bauza / Echo Photojournalism

Maria Eduarda inside the bedroom she shares with four siblings. ? Peter Bauza / Echo Photojournalism

David Guttenfelder

Coming Home

An old tank is now a swimming pool on the farm. Van Meter, Iowa, USA. © David Guttenfelder

North Korean veterans of the Korean War entering a cemetery for fellow veterans during a ceremony to mark the 60th anniversary of the armistice ending hostilities on the Korean peninsula. Pyongyang, North Korea, July 24, 2013. © David Guttenfelder / Associated Press

Andrew Quilty

Afghanistan: After Enduring Freedom

Afghan National Army officers resting in the course of a clearing operation in the very last days of the counter-offensive by government forces to retake Kunduz City from Taliban insurgents. October 10, 2015.

? Andrew Quilty / Agence VU?

A baby girl who suffered burns from an oil heater at home. Boost Hospital, Lashkar Gah (capital of Helmand Province), Afghanistan. February, 2014. ? Andrew Quilty / Agence VU?

A mother with her daughter waiting for emergency treatment. Boost Hospital, Lashkar Gah (capital of Helmand Province), Afghanistan. February, 2014. ? Andrew Quilty / Agence VU?

Niels Ackermann

Winner of the Ville de Perpignan R?Mi Ochlik Award - 2016

Employees of a neighborhood TV and internet company (Maket) throughout the metropolis?S annual day celebration.

Slavutych, Ukraine, June 1, 2013 ? Niels Ackermann / Lundi13

Zhenya and Yulia with their witnesses, Irina and Artiom, at their wedding ceremony in the City Hall.Slavutych, Ukraine, June 1, 2013 © Niels Ackermann / Lundi13

In a playground in one of the neighborhoods in the city. Slavutych, Ukraine 2012 © Niels Ackermann / Lundi13

Juan Arredondo

Winner of the Humanitarian Visa d?Or award ? International Committee of the Red Cross (ICRC) 2016

A father carrying the coffin of his son killed by FARC forces (46th front) as the indigenous community of Tortugaña Telembi walks through the mountains to bury 11 of their members accused by FARC of aiding the Colombian Army, including two young boys who deserted. Bellavista, Nariño, November 12, 2014. © Juan Arredondo / Getty Images Reportage

A field trip to the city for former child soldiers taking part in a government program to help them return to civilian life. Manizales, March 31, 2015. © Juan Arredondo / Getty Images Reportage

Members of the ELN (Ejercito de Liberación Nacional) at their camp. A quarter to half of child combatants are girls. Chocó, Colombia, February 17, 2014. © Juan Arredondo / Getty Images Reportage

Awards:

Getty Images Grants for Editorial Photography

This years recipients of Getty Images? Annual Grants for Editorial Photography programme were announced ultimate night at Visa. Congratulations to the 5 photojournalists:

Sergey Ponomarev for Exodus, a project which explores the migrants and refugees of the Middle East and Africa.

Katie Orlinsky for Chasing Winter, which examines the consequences of weather alternate in Alaska.

Mary F. Calvert for Prisoners of War: Male-on-male Rape in America?S Military, a body of work that files American navy rape survivors who're compelled out of provider.

Jonathan Torgovnik for The ‘Hijacked Life’ of African Migrants in Johannesburg, a project which examines the complex issues faced by migrants from the African continent upon arrival in South Africa.

Kirsten Luce receives the David Laidler Memorial Award for Border Security. Her project, captured in the southernmost point of Texas, examines the busiest corridor for human and drug trafficking in the US.

Each gets a furnish of US$10,000, in addition to collaborative editorial aid from Getty Images.

ANI-PrixPalace Award:

Australian-based Dutch photographer Ingetje Tadros has received this yr's Ani-PrixPalace Award for her paintings This is My Country, a visual documentation of Australia?S indigenous humans. It communicates the legacy of historical domination and oppression of Australia?S first inhabitants inside a contemporary context.

BOOK SIGNINGS AT VISA:

This is My Country

Ingetje Tadros

Signing: September 2nd at three pm at La Poudri?Re: Rue Rabelais, Perpignan

Ingetje Tadros?S, This is My Country is a compelling ebook, which takes an intensive have a look at the indigenous network of Kennedy Hill, in Broome, Western Australia, a people balanced on the precipice of life, who for the most part are disenfranchised, left out, and frequently forgotten.

Ingetje has won numerous awards for this body of work including the Walkley Award for Excellence in Photojournalism - Feature Photographic Essay - 2015; the Amnesty International Media Award 2015, photography; Best Feature Photographic Essay at the West Australian Media Awards 2015; the Exposure Award, digital display at The Louvre in Paris 2015.

Talibes Modern Day Slaves

Mario Cruz

Signing: September 2nd at 3 pm at La Poudrière: Rue Rabelais, Perpignan

Mario Cruz won rare access to the dark aspect of many darras (Koranic schools) in Senegal and captured stressful however stunning pictures of the lives of young boys subjected to slave-like conditions. The e-book Talibes Modern Day Slaves files an alarming development some of the darras that influences at the least 50,000 younger boys in Senegal, aged among five and 15.

The work obtained the 2016 World Press Photo Award for Contemporary Issues and become a finalist for the 2016 FotoEvidence Book Award.

Afghanistan: Between Hope and Fear

Paula Bronstein

Signing: September 2nd at 4 pm at La Poudrière: Rue Rabelais, Perpignan

World-acclaimed photojournalist Paula Bronstein affords a photographic portrait of this warfare-torn country?S human beings throughout greater than a decade. With empathy born of the demanding situations of being an American lady photojournalist operating in a conservative Islamic united states, Paula offers voice to those Afghans, mainly ladies and kids, rendered silent in the course of the violent Taliban regime.

Sunday, May 17, 2020

Photography art Gallery Friday Round Up - 9th December, 2016|Photography Art Definition

Book review: Stephen Dupont

Generation AK The Afghanistan Wars 1993-2012

I would that my photographs might be, not the coverage of a news event, but an indictment of war - the brutal corrupting viciousness of its doing to the minds and bodies of men; and, that my photographs might be a powerful emotional catalyst to the reasoning which would help this vile and criminal stupidity from beginning again. W. Eugene Smith.

This quote from W. Eugene Smith seems at the beginning of Stephen Dupont's opus on Afghanistan, that is a heavy tome in every experience of the word. But do not allow that deter you as that is a story that needs to be informed, needs to be looked at. What we realize of Afghanistan is essentially influenced by means of what we see on the nightly news and in newspapers and magazines. But those snapshots can not deliver an insight into the usa and its humans the manner Dupont's 20 12 months examine does.

Generation AK is sectioned into chapters each of which begin with diary entries from Dupont. Words and pix want each other and Dupont's reminiscing enables to draw the reader into the photographer's world, albeit if handiest in our imagination because if you haven't achieved it, you can not clearly consider what it need to be like to submerge yourself in a battle region. To accomplish that voluntarily is some other story altogether. But without photographers like Dupont these testimonies could by no means be informed.

Dupont has an enticing storytelling way, and his phrases sweep you alongside inside the drama. As you pass via the primary chapter, The Civil War 1993-2001, the sounds of rockets exploding and bullets screaming overhead become an inner soundtrack to the anxiety riddled faces of the folks who came underneath Dupont's gaze.

In the bankruptcy on the guerrilla chief Ahmed Shah Massoud, Dupont tells how whilst he was travelling to meet Massoud he shared a helicopter trip with a useless Afghan General, the plane filled with the scent of "rotting flesh, formaldehyde and diesel fumes." My nostril twitches with the suggestion, but the notion is quickly changed through the force of the photographs, which seize Massoud along with his fans in addition to in quiet, reflective moments that make you surprise what this man who became idolised via his fans became clearly like.

Dupont's collection Stoned in Kabul, where he observed two heroin addicted brothers Reza and Hussein, is likewise featured in Generation AK. I've seen this work in exhibition and it is genuinely startling, raw and unnerving, reflecting the savagery and desperate nature of life on the streets of Kabul.

The series Axe Me Biggie (explained as "a crude Anglo phonetic rendering of the Dari for Mister, take my photo") also features. Dupont shot these images in a 3 hour window at the streets of Kabul. The series accommodates 18 portraits of Afghans photographed in the front of a chunk of black material rigged up to create a makeshift studio. These snap shots say 'take my photograph, let people see me, permit human beings know that I am not defeated, allow me look you in the attention and inform you my story'.

I first interviewed Dupont in 2008 now not long after he had again from Afghanistan wherein he'd narrowly neglected being blown to pieces in a suicide bombing. He'd been travelling with a poppy eradication unit. In the ebook Dupont gives an account of that day and the way he become working on auto-pilot as he shot and filmed the scene, in which fellow Australian journalist Paul Raffaele turned into severely injured. The pictures go away the viewer with little question that Dupont become lucky to have escaped this tour together with his life.

Generation AK is a ebook that requires time to take a look at otherwise it grow to be too overwhelming and the tale gets lost in the horror of war. Dupont is a master storyteller. He knows how to construct the tempo, to mix photographs that deliver a story that is complex but handy.

It always feels odd to talk about aesthetics when the subject matter is so grim, but this is a beautiful book and the reproduction of images in both black & white and colour is superb, which is what you would expect from Steidl. The book features a foreword written by Jacques Menasche.

When I look at Dupont's work the overriding emotion I feel is respect. Respect for this photographer who is driven to tell these amazing stories often at great personal risk and cost. And respect for the human spirit and the will to survive even in the face of untold horrors.

This is important work. Don't look away.

To buy the book visit Steidl

To see more of Stephen Dupont's work visit his website

On-Demand Books:

Out of the Phone Publishing

While we're talking about books, for those who can't get a deal with the likes of Steidl, or who just want to get their pictures off their phone and onto paper, Paris publishing house Out of the Phone (OOTP) has come up with a print-on-demand book idea that allows photographers to produce inexpensive books that are quirky and personal.

The first OOTP print-on-demand photo book is a travel notebook with a specific format and pagination that allows you to present up to 50 pictures. Produced in France, the travel notebook has an artisanal look and feel. Founder of OOTP Pierre Le Govic is hoping to raise funds on Indiegogo to build a website for what he is calling the 'world's first print-on-demand photo book platform for mobile photographers'. If you’re interested, take a look here.

Weekend Reading:

Daniel Berehulak - They Are Slaughtering Us Like Animals

New York Times

More amazing work by Pulitzer Prize winning photojournalist Australian Daniel Berehulak on the savage anti-drug campaign being waged in the Philippines where Berehulak documented 57 homicide victims over 35 days. Berehulak photographed and wrote the story for the New York Times. Here's an excerpt:

“The rain-soaked alley in the Pasay district of Manila was my 17th crime scene, on my 11th day in the Philippines capital. I had come to document the bloody and chaotic campaign against drugs that President Rodrigo Duterte began when he took office on June 30: since then, about 2000 people had been slain at the hands of the police alone….”

Awards:

Lensculture 2016 Emerging Talent

Check out the top 50 in this year's Lensculture Emerging Talent competition, including Polish photographer Wiktoria Wojciechowska who I met at Paris Photo last year. She was one of eight in the Jurors's pick for her body of work, Sparks, which she describes as 'a multifaceted portrait of a contemporary war', in this case the conflict in Ukraine.

The gold leaf depicts those who didn't make it home