Photography art Gallery Friday Round Up - 29th August, 2014|Photography Art Definition

This week Friday Round Up celebrates the 26th Visa pour l'image International Festival for Photojournalism which starts in Perpignan, France on Monday 1st September. In Part One of our coverage we preview the exhibitions on show this year. Part Two will be published next Friday and features interviews with Vlad Sokhin about his book Crying Meri, which launches at Visa, and also with photo-media specialist Samuel Bollendorf. Plus the winners of the Visa awards and Getty Grants.

Also, for those who are in Sydney this weekend, three exhibitions open at the Australian Centre for Photography. Presented in association with Reportage Projects 2014 are Jodi Bieber's Between Darkness & Light; Ashley Gilbertson's Bedrooms of the Fallen; and Poppy - Trails of Afghan Heroin by Robert Knoth and Antoinette de Jong. For more information visit the Reportage site.

Festival:

Visa pour l’Image – Part One

Alison Stieven-Taylor

This time last year I was winging my way to Perpignan from Melbourne via Doha and Paris, for the 25th instalment of Visa pour l’image, the international photojournalism festival. This year unfortunately I won’t be attending, but with all the photographers who have kindly offered to “have a drink, or several, for me at La Poste” I’ll be facing a very big ‘virtual’ hangover! Thanks everyone :-)

Perpignan (C) Alison Stieven-Taylor 2013

The professional week of Visa kicks off on Monday 1st September and once again hundreds of photojournalists, along with photo editors, agencies and other industry professionals will descend on Perpignan, in the south of France. This picturesque town gets behind the Festival each year showing extraordinary support for the event and visitors could be forgiven for thinking its name is Visa not Perpignan.

Evening screenings draw large crowds (C) Mazen Saggar

Once again festival director, and creator, Jean-François Leroy and his team have put together a comprehensive program of exhibitions, evening screenings and talks that capture the breadth of work photojournalists are undertaking around the world. Admission to the exhibitions is free throughout the two weeks of the Festival, but exhibitions stay up for a further fortnight allowing school groups to also visit and learn about the important role of photography in bearing witness. Last year more than 8000 students from France and Spain attended.

(C) Alison Stieven-Taylor 2013

The Palais des Congres (above) is the business hub of Visa. It is where seminars and talks are held, where the busy festival and press offices are and where major sponsor Canon is housed. Many of the major agencies are here also including Getty Images. Each day of the professional week, on the top floor of Palais des Congres, agencies and editors meet with photojournalists who have an unprecedented opportunity to show their work and gain critical feedback. Over copious cups of espresso deals are done, old acquaintances renewed and new friends made. Once the doors are closed at the Palais des Congres everyone adjourns to La Poste where conversations last well into the early hours.

Exhibitions:

While there continues to be discussion around the future of photojournalism in its traditional context, the exhibitions presented at Visa remind us that without the work of these courageous, insightful and ultimately talented photojournalists, many of these stories would not be told. And those without means to communicate to the rest of the world will remain silent.

The Photographers in the North

This exhibition, the brainchild of photojournalist Patrick Chauvel, showcases the work of the Vietnamese soldiers who became photographers during the Vietnam War and presents images rarely seen.

Chu Chi

Chu Chi

Doan Cong

Doan Cong

Hua Kiem

Hua Kiem

Mai Nam

Mai Nam

Typhoon in the Philippines:

AFP, Leading in the Wake of Haiyan

© Philippe Lopez

© Noel Celis

Football as seen through the eyes of children

in Cidade de deus Favela

Christophe SimonAFP chief photographer, Brazil

Amateurs Make the Front Page

30 Pictures that have not changed photojournalism

Curated by photographer Samuel Bollendorff in partnership with sociologist André Gunthert, this exhibition looks at the amateur pictures, from 2001 to now, that made the front pages. My interview with Samuel will be published on Photojournalism Now next week.

Bruno Amsellem (Signatures)

Rohingyas, A Silenced Minority (Burma)

Mary F. Calvert (Zuma Press)

The Battle Within: Sexual Assault in America’s Military

William Daniels (Panos Pictures)

Train for the Forgotten - Russia (for National Geographic)  This train travels through Russia providing medical services for those who live in the most remote parts of the country.

Guillaume Herbaut (Institute)

Ukraine, From Independence Square to the Donbas

Yunghi Kim (Contact Press Images)

Africa, The Long Road Home:

From Famine to Reconciliation

1992-1996

Olivier Laban-Mattei (The Mongolian Project/MYOP)

Mongolia – There is no El Dorado

Sebastián Liste (NOOR)

On the Inside of a Venezuelan Prison Controlled by Inmates

For Time Magazine & Fotopres

Klaus Nigge (National Geographic)

The Bald Eagle in the Aleutian Islands

Ian Parry Scholarship

Exhibition of works by scholarship winners

and patron Don McCullin

Adrian Fussell Winner 2012

Rasel Chowdury Winner 2011

Anne Rearick (Agence VU’)

South Africa – Chronicles of a Township

Jorge Silva (Reuters)

The Skyscraper Slum Caracas

Sean Sutton (MAG/Panos Pictures)

The Eye of the Storm (Philippines)

Pierre Terdjman

Central African Republic

Gaël Turine (Agence VU’)

The Wall of Fear (Bangladesh)

Alvaro Ybarra Zavala (Reportage by Getty Images)

Stories of a Wounded Land

(The effects of agribusiness in Latin America)

Michaël Zumstein (Agence VU’)

Terror and Tears in The Central African Republic

For Le Monde

Tributes to fallen photojournalists:

Chris Hondros (Getty Images)

Testament

Anja Niedringhaus (AP)

A Tribute

Transmission Series

Apart from the amazing breadth of exhibitions, one of the highlights of Visa is the Transmission Series, which this year will be run by photographer Christopher Morris. Transmission is designed to share the collective wisdom of experienced photojournalists and photo editors with emerging photojournalists. Morris will be joined by MaryAnne Golon, director of photography at The Washington Post, Jérôme Delay Associated Press’ chief photographer in Africa, photographers Yuri Kozyrev and Sebastián Liste from NOOR and Peter Bouckaert, director of Human Rights Watch. What a fantastic line up.

To find out more about Visa pour l'Image visit the website here.

Photography art Gallery Friday Round Up - 26 August, 2016|Photography Art Definition

This week Friday Round Up previews the work of four female photojournalists exhibiting at Visa – Marie Dorigny, Catalina Martin-Chico, Anastasia Rudenko and Claire Allard. Next week more on the world's most important, and longest running, photojournalism festival in the beautiful French town of Perpignan.

Feature:

Visa pour l?Image: Part One

Four Female Photojournalists

Marie Dorigny:

Displaced - Women in Exile

In a file commissioned with the aid of the European Parliament, French photographer Marie Dorigny files the women and youngsters, who now make up greater than 1/2 of the refugees who are fleeing warfare, violence and terror.

Lesbos, Greece. A young Greek volunteer with a sea rescue team comforting a distressed and pregnant Iraqi refugee who has just made the crossing from Turkey. © Marie Dorigny / MYOP for the European Parliament 2016

Hotspot, Moria, Lesbos, Greece. Refugees who attain Europe first sign in on the ?Warm spot? In which they are sorted in step with nationality. The waiting seems interminable as the formalities pass on and on. ? Marie Dorigny / MYOP for the European Parliament 2016

Catalina Martin-Chico:

The Last and the Lost - The Brave Nomads of Iran

A century in the past there had been 5 million nomadic humans in Iran. Today they quantity only 1.5 million. While many are looking to assimilate into city environments and adapt to a sedentary lifestyles, others hold to guide a conventional nomadic lifestyle, but it is feared they may disappear as the authorities actions to stop their roaming.

During transhumance, the Bakhtiari people, such as Mahsan and her family, spend the night at a different point so that their animals can graze on fresh pastures. Shirin Bahar, near Lali, Khuzestan, Iran, April 2016. © Catalina Martin-Chico / Cosmos

Primary schooling in the mountains to learn basic literacy and numeracy. For any further education the children have to move to the city and abandon their traditional nomadic lifestyle. Near Qir, Fars province, Iran, February 2016. © Catalina Martin-Chico / Cosmos

Zohreh and her sister-in-law, their bodies misshapen from their harsh living conditions. For nomads, “women are men” so that means doing the same physical work. Basoft, Chaharmahal and Bakhtiari province, Iran, April 2016. © Catalina Martin-Chico / Cosmos

Anastasia Rudenko:

Institutions for the Mentally Disabled in Russia

In this collection, Anastasia Rudenko, who won the Canon Female Photojournalist Award 2015 (supported by way of ELLE magazine) is pursuing the task she began in 2012, investigating life in establishments for mentally disabled humans in the Russian provinces. According to official data in 2013 there had been extra than 1,000 intellectual care centres for adults in Russia. One hundred fifty,000 patients are living in those centres including 50,000 who're in lengthy-term social care establishments known as Internats, that are for adults who had been formerly housed in orphanages for mentally disabled children.

Women near the hearth bucket stand outside the girls's asylum. Over the beyond 3 years more than 100 sufferers in mental establishments in Russia have been sufferers of fires. Ryazan location, Russia, 2015. ? Anastasia Rudenko

The “House of Mercy” is a facility for severely dysfunctional patients, and those likely to run away and get lost. Ryazan region, Russia, 2015. © Anastasia Rudenko

Patients walking in the forest near the village. Elat’ma, Ryazan region, Russia, 2012. © Anastasia Rudenko

Claire Allard:

Backstage

This series by means of Claire Allard extends over some of years in which she followed and located the technical crews who work behind the curtain to make certain the display goes on.

During an alternative music festival, Yann, the lights technician, is doing an emergency restore perched at the scaffolding ? A exquisite vantage factor for the concert. ? Claire Allard

Summer is the peak season for rock festivals across Europe, and technicians rarely have a break. Here, Thierry, the sound engineer, is busy setting the stage speakers. Other crew members have brought him something to eat.  Ronquières Festival, Belgium, August 2, 2015. © Claire Allard

To see the full programme go to the Visa pour l'Image website.