Showing posts with label activism. Show all posts
Showing posts with label activism. Show all posts

Thursday, May 14, 2020

Photography art Gallery Photojournalism Now: Friday Round Up - 24th February, 2107|Photography Art Definition

This week on Photojournalism Now: Friday Round Up - Poulomi Basu wins the 2017 FotoEvidence Book Award and the Bronx Documentary Center showcases 38 unbiased photojournalists who covered New York's activist culture from 1980-2000.

Award:

2017 FotoEvidence Book Award Winner

Blood Speaks: A Ritual of Exile by way of Poulomi Basu

Anjali Kumari Khang is 12 years old. " I am not happy. I do not want to get married. I hope my husband gets a job in a foreign city. Then I can come back to my mother's home and stay for as long as I want to." Child marriage is rampant in the north eastern district of Nepal. Girls are seen as a burden and an additional mouth to feed and are often married off at a very young age. However, it is also a popular belief that villagers often marry off their girls before their menstruation starts, as it is believed if they do so, then their immediate family will got to heaven. Einerwa Village, Saptari district, Nepal.

Born in Calcutta, India, Poulomi Basu describes herself as a storyteller, artist and activist. Her paintings largely makes a speciality of troubles that impact ladies in remoted groups and in view that 2013 she?S been investigating the reasons and consequences of normalised violence towards women in Nepal. You best have to examine the memories (and please take time to do so) on the way to recognize the horror these women endure each month, as violence is directly associated with the menstrual cycle. The simplest reprieve may be during being pregnant!

Blood Speaks: A Ritual of Exile offers with the foundation of this violence which stems from the Hindu perception that women?S menstrual blood is impure. Poulomi says, ?Hidden, beneath-reported and unresolved, those women are untouchable and, as a result, this violence takes the form of ?Exiles,? A way to maintain menstruation shrouded in thriller and taboo, a weapon to disgrace women into subservience.?

A goth, a space of exile by the river. Ujjwali, 48, who was living her exile there told me, "The good men understand what the women are going through, that it is difficult for women when they have to stay out of the house but there are many men who are stupid and illiterate and they don’t want to understand. They beat their wives, call them bad names and obligate them to stay out of the house in the goth. The ones who are educated and understand want their wives to stay at home but its mostly women who make other women stay out."

Saraswati, 16, must live in a closed dark room with her three day old baby because she bled after childbirth. They will be there for 15 days. Not only is Saraswati not allowed to clean herself, she must cook her food in the same tiny dark room even if it means choking her newborn baby with smoke. After childbirth she developed serious health problems. Because of staying in the goth and rarely being allowed to step outside, her legs are now swollen to a point that she can barely walk. She suffers from serious stress disorder and often has breakdowns. She barely spoke a word to me. Nepal, 2016.

"My name is Tanka Thapa. I think I am 25 but you can say what you want. It has been about 10 years since I came to this chau in Basti. My husband lives in India. It has been almost 2 years since I saw him." Tanka sleeps in a hole in the wall during menstruation while observing her ritual. According to her "Chaupadi is a tradition that we are not allowed to sleep at home so we have been told. All the women in the family have to stay in chau. It’s a little better now. Earlier I used to stay out in the open with no shelter." She appears very nervous and uncomfortable and expresses low self-esteem. She mentioned a few times in passing conversation that she is ashamed of herself and is dirty and ugly. She asks me, "Why are you here? No one has ever come to talk to me or spend time with me.” Tanka's self esteem is totally crushed. Basti, Achham. Nepal, 2016.

Devi Ram Dhamala, traditional healer. 59 years old. Traditional healers often use extreme verbal and physical abuse to heal young girls who are ill during menstruation or at other times, believing they are possessed by evil spirit. Surkhet district, Nepal.

A goth, a space of exile by the river. Ujjwali, 48, who was living her exile there told me, "The good men understand what the women are going through, that it is difficult for women when they have to stay out of the house but there are many men who are stupid and illiterate and they don’t want to understand. They beat their wives, call them bad names and obligate them to stay out of the house in the goth. The ones who are educated and understand want their wives to stay at home but its mostly women who make other women stay out."

A multidisciplinary venture encompassing nonetheless and moving pix and the book to be published by using FotoEvidence later this 12 months, Blood Speaks is designed to have large attain. ?I want to show my target audience into activists and crack open the veil of silence and shame round women whose lives are shattered by way of such gender primarily based violence,? Poulomi says.

This is brave work as the stigma and superstitions run deep, however Poulomi believes now is the time to position these memories at the worldwide time table and combat to end these ?Brutal rituals?.

You can pre-order the e-book at FotoEvidence.

Exhibition: New York

Whose Streets? Our Streets! : New York City, 1980-2000

Bronx Documentary Center

(C) Sandra Lee Phipps

The timing of this exhibition couldn't be more apt. On show is the work of more than 38 independent photojournalists who have captured the collective activist heart of New York over two decades documenting peaceful protests and rallies as well as violent confrontations. This is the first time these photographs have been exhibited together. It's a fantastic collection, and an important historical record. The show is curated by Meg Handler, former photo editor of The Village Voice, historian Tamar Carroll, author of Mobilizing New York: AIDS, Antipoverty and Feminist Activism, and Michael Kamber, founder of the Bronx Documentary Center.

(C) Corky Lee

(C) Nina Berman

(C) Lisa Kahane

(C) Ricky Flores

(C) Frank Fournier

(C) Mark Peterson

(C) Ricky Flores

Until 5 March

Bronx Documentary Center

614 Courtlandt Avenue (at 151st St.)

Bronx, New York 10451

Sunday, May 3, 2020

Photography art Gallery Photojournalism Now: Friday Round Up - 13th October, 2017|Photography Art Definition

This week on Photojournalism Now: Friday Round Up - in recognition of World Mental Health Day which was on Wednesday 11 October, this week's post features a new project designed to put the spotlight on mental health every day of the year - One Day In My World by award-winning photojournalist and activist Robin Hammond.

Special characteristic:

One Day In My World - Robin Hammond & Witness Change

On the landing page of One Day In My World, a new project by Robin Hammond, his activist organisation Witness Change and Handicap International, is a sobering statistic:

"Mental health issues affect 1 out of every 4 of us. For people living in poverty or war-torn countries, without access to a range of support, the impact of the illness is amplified."

Despite these statistics, globally mental health is underfunded and stigmatised, even more so in countries ravaged by war and in societies crippled by poverty.

In My World combines Hammond's signature portraiture with video, text and sound. It’s a powerful vehicle through which to communicate complex stories, and to hear voices that would not usually be heard.

Hammond’s objective is to humanise the issue of mental health, break the silence and challenge the stigma.

Rose Muju (right) and her 15yo daughter Viola Malig who developed mental health problems after contracting malaria (South Sudan).

One of the most impressive features is that those pictured tell in their own words how they feel and what they are dealing with, which really places these stories on a human level and makes them more accessible and relatable. Being able to tell their own stories also brings dignity as well as hope.

Hammond visited four countries - Togo, Lebanon, Madagascar and South Sudan - for this first instalment ofOne Day In My World , which is an ongoing project. The website invites visitors to "explore the stories of real people facing mental health challenges. See how they live, her their voices, visit In My World."

Sectioned into chapters - Faith, Suffocation, Isolation and Left Behind - each features powerful black and white photography, information on the situation in each particular country, individual tales, moving image and music.

Images and stories are not just of those suffering from mental health issues, but also carers and healthcare workers. There are also documentary photographs of the environments in which people live and the conditions that contribute to the decline in mental health and wellbeing, delivering deeper insights.

InFaith are stories from the impoverished country of Togo, where more than 80 percent of the population live in abject poverty.

Suffocation takes the reader into the claustrophobic environs of the Palestinian refugee camps in Lebanon where children have little opportunity to just be kids, and the oppression of an uncertain future crushes the spirit.

Isolation features stories of those incarcerated in Madagascar where opportunities for a fair hearing are virtually non-existent and children are housed with adults in overcrowded conditions where those with mental health issues are at grave risk.

AndLeft Behind tells stories of those living with mental health issues in conflict-ravaged South Sudan where are are few services or support mechanisms available.

There is also the opportunity to add your voice to the conversation on the Take Action page which invites those with mental health issues to share their story, and also encourages those who can to make a donation.

The campaign was launched this month by Hammond’s Witness Change and Handicap International, who provided Hammond with access to four communities, but did not have editorial control over the images. To find out more visitOne Day In My World.